INTERDUCTION 0.1 Wulitou as a Popula Style of Naative in China 0.2 Stoy, Naative and Schema 0.3 The Deconstuction of Schema in Wulitou Naatives 0.4 The Act of Seeing and the Constuction of Naative 0.5 The Rise of the Intenet and Wulitou Naative 0.6 Wulitou Naative and Chinese Native Cultual Context 0.7 Key Notions and Chapte Outlines CHAPTER 1 WULITOU: AN ABNORMAL STYLE OF NARRATIVE 1.1 Why “We Humans Love Stoy” 1.2 Wulitou as an A nomal Naative Style 1.3 The Populaity of Wulitou as a Style of Naative CHAPTER 2 THE ACT OF SEEING, NARRATIVE AND MEDIA 2.1 The Act of Seeing Befoe Naative 2.2 Seeing as an Act of Choice / 108 2.3 Media and the Way of Seeing 2.4 The Populaity of Wulitou Naative and the Intenet CHAPTER 3 THE WAY OF SEEING CORRESPONDING TO WULITOU NARRATIVE 3.1 TheSpatio-Tempoal Dimension of Seeing 3.2 The Way of Seeing Coesponding to Wulitou Naative CHAPTER 4 WULITOU NARRATIVE AND POSTMODERNISM 4.1 Pemodenism, Modenism and Postmodenism 4.2 The Fom Designs of Typical Postmodenism Naative 4.3 Wulitou Naative and Typical Postmodenism Style Naative 4.4 The Cultual Context in China Aound the End of 1990s CHAPTER 5 THE DESTRUCTION IN WULITOU NARRATIVE 5.1 Schema and Achetype 5.2 Wulitou: a Means to Deconstuct the Odes Between Things 5.3 The Canival, Gass Root, Paody and Wulitou Naative CHAPTER 6 THE DECLINE OF WULITOU NARRATIVE 6.1 Anothe New Ea 6.2 Fom PC to Mo ile Devices 6.3 Conclusion and Pospect 目.錄 引言 0.1 在中國作為一種流行敘事風格的無厘頭 0.2 故事、敘事與圖式 0.3 無厘頭敘事中的圖式解構(gòu) 0.4 觀看與敘事建構(gòu) 0.5 互聯(lián)網(wǎng)的興起與無厘頭敘事 0.6 無厘頭敘事與中國本土文化語境 0.7 主要概念和章節(jié)提要 章 .無厘頭:一種另類的敘事風格 1.1 為什么“人類熱衷于故事” 1.2 作為一種另類敘事風格的無厘頭 1.3 無厘頭敘事風格的流行 第二章 .觀看、敘事與媒介 2.1 先于敘事的觀看行為 2.2 觀看行為的選擇