八百多年前，北宋畫(huà)家張擇端以細(xì)膩的筆觸描繪了汴京城美麗的清明景象，此畫(huà)即是《清明上河圖》。通過(guò)這卷長(zhǎng)達(dá)5米的畫(huà)卷，畫(huà)家將宋朝的歷史、社會(huì)風(fēng)俗、宋代生活徐徐展現(xiàn)在我們面前，并以此“宋代風(fēng)俗畫(huà)”巔峰之作，進(jìn)入宋代藝術(shù)史，探討兩宋風(fēng)俗畫(huà)的興起、繁盛與衰落，及其在中國(guó)藝術(shù)史、歷史中的重要性，從而延伸至對(duì)整個(gè)中國(guó)繪畫(huà)史的梳理，以及中西風(fēng)俗畫(huà)風(fēng)格對(duì)比解析。Over eight hundred years ago， the Northern Song Dynasty painter Zhang Zeduan depicted a beautiful scene at the Qingming Festival in Bianjing with his delicate brushstrokes， and this painting is known as The Riverside Scene at the Qingming Festival. Through this 5-meter-long scroll， the artist brings the history and social customs of the Song Dynasty to life.This book presents a panoramic guide to life in the Song Dynasty as the “pinnacle of Song custom painting” and explores the rise and decline of custom painting in the Song Dynasty， its importance in Chinese art history， and， by extension， the history of Chinese painting， as well as a comparative analysis of the styles of Chinese and Western custom painting.
作者簡(jiǎn)介
邦妮，中央美術(shù)學(xué)院人文學(xué)院博士研究生，研究方向以中國(guó)美術(shù)史為主，發(fā)表文章涉及中國(guó)古代卷軸畫(huà)、明代圖像視覺(jué)文化研究等內(nèi)容。目前主要關(guān)注的學(xué)術(shù)議題主要為宋元卷軸畫(huà)與明清大眾圖像。 Bonnie， Ph.D. at the School of Humanities， Central Academy of Fine Arts. Her research interests are mainly in Chinese art history， and she has published articles on ancient Chinese scroll paintings and visual culture studies of Ming Dynasty images. At present， her major academic focus is on scroll paintings of the Song and Yuan dynasties and popular images of the Ming and Qing dynasties.
圖書(shū)目錄
Contents Preface.............................................................................................01 Chapter ITravel in Time Through a Painting Section 1 Tranquil Life in Bianjing Suburb........................................................002 Section 2 The Prosperous Bianhe River............................................................008 Section 3 Rainbow Bridge Known as ‘the Visual Center of Painting’...................018 Section 4 Thriving Business.............................................................................024 Section 5 Which Gate of Bianjing City Is It? ....................................................041 Section 6 Busy Urban Area.............................................................................047 Section 7 Secular Figures in the Genre Painting................................................069 Chapter II The Northern Song Dynasty Behind the Masterpiece Section 1 Bianjing, the Capital of the Northern Song Dynasty...........................076 Section 2 An International Metropolis Supported by Citizens.............................090 Section 3 Bianhe River, Bianjing’s Lifeline........................................................096 Section 4 Water Transport of Grain, the Foundation of the Country...................103 Chapter III ‘The Riverside Scene at the Qingming Festival’ and the Chinese Genre Painting Section 1 The Song Dynasty’s Genre Painting Trend.........................................112 Section 2 Life of the Song Dynasty in Genre Painting........................................129 Section 3 The Decline of Genre Painting..........................................................142 Section 4 Looking Back on Chinese and Western Genre Paintings.....................150 Chapter IV A-Thousand-Years Odyssey of ‘The Riverside Scene at the Qingming Festival’ Section 1 Drifting in the ‘River of History’.........................................................166 Section 2 Building up Fame While Wandering Around......................................176 Section 3 Global Study of ‘The Riverside Scene at the Qingming Festival’..........187 Section 4 Chinese Painting With a Long History................................................190 Section 5 Chinese Painting Closely Connected With World Culture....................197 Appendix A Brief Chinese Chronology......................................................202
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