眺瞻美的遠方：氣墨靈象藝術(shù)論

總序·科學(xué)探微　藝術(shù)潤靈
Science Explores Truth，Art Enriches Spirit
 
序·“靈纏”是藝術(shù)力
“Spiritual Entanglement”is the Primary Force of Art
 
概覽·眺瞻未來之美
A Glimpse of the Beauty of Future
 
 
眺瞻·立論篇
Looking into the Future, Establishment of the Art Theory
 
逸形入靈 　大藝立象
Spirit and Form of Great Art
如氣化墨 　載靈承象
Ink Carries Spirit and Form Brings Vital Energy
氣墨繪畫 　靈象藝術(shù)
Qimo Painting, Lingxiang Art
藝法靈象 　至美審美
Artistic Lingxiang Represents Ultimate Aesthetics
氣墨靈象 　高學(xué)大德
Qimolingxiang Reflect Profound Knowledge and Lofty Morality
潤靈樂境 　“推挽”筑峰
Spiritual Joy Peaks through“Push-Pull”
創(chuàng)新藝術(shù)　超驗境界
Innovative Art，Transcendent Realm
美是“氣墨靈象”
Aesthetic Beauty is the Essential Nature of“Qimolingxiang”
 
 
縱橫·尋蹤篇
Across the Board, Tracing the Origin
 
“靈象”是“象”的遠方
Lingxiang Represents the Tomorrow of “Form”
“氣墨”是“筆墨”的未來
Qimo Displays the Future of“Ink”
“氣墨”“靈象”互為形式內(nèi)容
Qimo and Lingxiang Demonstrate the Content and Form of Each Other
“藝法靈象”揭示藝術(shù)本質(zhì)規(guī)律
“Artistic Lingxiang”Reveals the Essential Law of Art
“高學(xué)大德”方入至美審美
“Great Knowledge and Lofty Morality”Showcase Ultimate Aesthetics
“潤靈樂境”推挽文藝高峰
“Spiritual Joy”Push-Pull the Summit of Art
“精神實現(xiàn)”皈依超驗審美
“Spiritual Realization”Converts to Transcendental Aesthetics
 
 
察變·慧靈篇
Sensing the Variations，Enlightenment
 
語言，終究還是語言
Language Innovation is the Ultimate Mission of Artistic Creation
經(jīng)典，感性美與思想美不可或缺
Classic, Can’t Do Without Perceptual Beauty and Thought Beauty
創(chuàng)作，用性靈開啟“筆墨”
Creation, UsesSpirit to Activate“Ink”
立象，拒絕現(xiàn)實物象
Creating Image, Not to Create Image of Reality
構(gòu)建，美在“意想不到”
Construction of Art, its Beauty Lies in“Unexpected”
去蔽，“呈現(xiàn)”美的無限
Aletheia, Uncovers Infinite of Beauty
超越，向藝方生、向術(shù)即亡
Transcendence, Survives to Art, Dies to Imitate
抽象表現(xiàn)，超越中敞開美的澄明
Abstract Expression, the Insight into Brilliance of Beauty
審美，無力不達“彼岸”
Aesthetic, the Power to Reach the“Other Shore”
藝術(shù)流變，從“完美”到“自由”
Artistic Evolution, from“Perfection”to“Freedom”
書之入“象”方致審美遠方
Calligraphy with Artistic Images：An Aesthetic Height to Reach
“書象”之美在“通象”
A Calligrapher's Good Works Come from His Comprehensive Quality
 
 
觀象·超越篇
Observation,Transcendence
 
作“大”難，作“厚”更難
Being“Profound”is More Difficult than Being“Big”
至簡難，至繁更難
Complexity is More Difficult than Simplicity
感性難，理性更難
Reason is More Difficult than Sensibility
師“外”難，師“內(nèi)”更難
Learning from Oneself is More Difficult than Learning from Others
求變難，求恒更難
Keeping Unchanged is More Difficult than Changing
意象難，抽象更難
Abstraction is More Difficult than Image
追典難，離典更難
Leaving Canon is More Difficult than Following It
融合難，無界更難
Being Unbounded is More Difficult than Fusion
“境”美難，“神”美更難
Soul Beauty is More Difficult than State Beauty
立象難，立念更難
Creating Thought is More Difficult than Creating Image
 
跋·更為重要的問題
Questions of Greater Importance