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美術(shù)英語(yǔ)

美術(shù)英語(yǔ)

定 價(jià):¥65.00

作 者: 陸薇,胡曉麗
出版社: 知識(shí)產(chǎn)權(quán)出版社
叢編項(xiàng):
標(biāo) 簽: 暫缺

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ISBN: 9787513065122 出版時(shí)間: 2019-10-01 包裝:
開(kāi)本: 16開(kāi) 頁(yè)數(shù): 200 字?jǐn)?shù):  

內(nèi)容簡(jiǎn)介

  本書(shū)是為中國(guó)高校美術(shù)專業(yè)學(xué)生量身編寫(xiě)的一套專業(yè)英語(yǔ)(ESP)教材。作為通用英語(yǔ)教材的輔助教材,它通過(guò)教授與中國(guó)美術(shù)專業(yè)相關(guān)的教學(xué)內(nèi)容,培養(yǎng)學(xué)生的專業(yè)英語(yǔ)應(yīng)用能力,使學(xué)生能夠閱讀本專業(yè)的英語(yǔ)文獻(xiàn),使用該專業(yè)的語(yǔ)言知識(shí)與國(guó)際同行進(jìn)行有效的交流。教材的內(nèi)容涉及從史前的彩陶到民國(guó)時(shí)期的繪畫(huà),覆蓋了中國(guó)美術(shù)史上的繪畫(huà)、書(shū)法、雕塑、青銅器、瓷器、漆器等各方面的內(nèi)容。該套教材適合于藝術(shù)院校、綜合類大學(xué)和其他類型大學(xué)藝術(shù)專業(yè)的學(xué)生,也可以成為英語(yǔ)專業(yè)學(xué)生的選修課教材,或者國(guó)際學(xué)生和海外孔子學(xué)院學(xué)生學(xué)習(xí)中國(guó)文化的英文教材,在中國(guó)文化走出去、用國(guó)際通用語(yǔ)言“講好中國(guó)故事”方面發(fā)揮作用。

作者簡(jiǎn)介

  陸薇,教育部大學(xué)外語(yǔ)教學(xué)指導(dǎo)委員會(huì)委員、北京語(yǔ)言大學(xué)應(yīng)用外語(yǔ)學(xué)院院長(zhǎng)、英語(yǔ)學(xué)院教授、北京外國(guó)語(yǔ)大學(xué)客座研究員。曾為美國(guó)哥倫比亞大學(xué)、英國(guó)曼徹斯特大學(xué)訪問(wèn)學(xué)者、聯(lián)合國(guó)教科文組織大會(huì)翻譯。主要教學(xué)和研究方向?yàn)橛⒚牢膶W(xué)、比較文學(xué)、英語(yǔ)教育、文學(xué)翻譯等,曾在國(guó)內(nèi)外發(fā)表論文多篇。出版專著、譯著、教材多部。獲得過(guò)北京市哲學(xué)與社會(huì)科學(xué)優(yōu)秀成果獎(jiǎng)、北京市青年骨干教師等榮譽(yù)。2012年作為設(shè)計(jì)者和主講教師領(lǐng)銜推出的Mooc課程“中國(guó)文化系列英文講座”被評(píng)選為國(guó)*級(jí)精品視頻公開(kāi)課,并獲得北京市高等教育教學(xué)成果一等獎(jiǎng)。兼任國(guó)家社科基金、教育部社科基金、國(guó)家留學(xué)基金委、北京市社科規(guī)劃辦的評(píng)審專家。教材編寫(xiě)團(tuán)隊(duì)全部為北京語(yǔ)言大學(xué)專業(yè)英語(yǔ)教師,大部分具有博士學(xué)位和副教授以上職稱,其中包括外教社杯全國(guó)英語(yǔ)教學(xué)大賽的獲獎(jiǎng)教師。

圖書(shū)目錄

Contents

目錄

PrefaceI

Unit 1

Ⅰ. Text: Painted Pottery

Ⅱ. Dialogue: Hemudu Cultural Relics

Unit 2

Ⅰ..Text:.Calligraphy.(Ⅰ).Oracle.Characters.(Jiaguwen)

Ⅱ. Dialogue: Hieroglyphic Writing

Unit 3

Ⅰ..Text:.Bronze.Ware.and.Calligraphy.(Ⅱ).Bronze.Characters. (Jinwen)

Ⅱ. Dialogue: Houmuwu Ding

Unit 4

Ⅰ. Text: The Terracotta Warriors

Ⅱ..Dialogue:.Qin.Shihuang.—The.First.Emperor.of.Qin.Dynasty

Unit 5

Ⅰ..Text:.Chinese.Calligraphy.(Ⅲ).Bamboo.and.Wood.Slips.(.Jiandu)

Ⅱ. Dialogue: Tsinghua Bamboo Slips

Unit 6

Ⅰ. Text: Chinese Lacquer Ware

Ⅱ. Dialogue: Japanese Lacquer WareUnit 7

Ⅰ..Text:.Calligraphy.(Ⅳ).Seal.Script.(Zhuanshu) and Clerical Script (Lishu)

Ⅱ. Dialogue: Seals

Unit 8

Ⅰ. Text: Taoist Painting and Gu Kaizhi

Ⅱ. Dialogue: The Origin and Main Ideas of Taoism

Unit 9

Ⅰ. Text: Dunhuang Art of the Northern Wei Dynasty

Ⅱ. Dialogue: Buddhism Arriving in China

Unit 10

Ⅰ..Text:.Calligraphy.(Ⅴ).Cursive.Script.(Caoshu)

Ⅱ. Dialogue: The Three Rare Models

Unit 11

Ⅰ. Text: Court Painting in the Tang Dynasty

Ⅱ. Dialogue: The Standard of Beauty in the Tang Dynasty

Unit 12

Ⅰ. Text: Historical Painting in the Tang Dynasty

Ⅱ. Dialogue: The Imperial Palanquin

Unit 13

Ⅰ. Text: Animal Painting in the Tang Dynasty

Ⅱ. Dialogue: Night-shining White and Five Bulls

Unit 14

Ⅰ. Text: Landscape Painting in the Tang Dynasty

Ⅱ. Dialogue: Wang Wei’s Snow and Stream and His Poetry

Unit 15

Ⅰ. Text: Three-color Glazed Figurines in the Tang Dynasty

Ⅱ. Dialogue: Development of Porcelain Before and During the Tang Dynasty

Unit 16

Ⅰ. Text: Calligraphy (Ⅵ) Formal Script (Kaishu)

Ⅱ. Dialogue: The Four Masters of the Early Tang Dynasty.

Unit 17

Ⅰ. Text: Landscape Painting of the Northern Song Dynasty

Ⅱ. Dialogue: Along the River During the Qingming Festival

Unit 18

Ⅰ. Text: The Imperial Painting Academy

Ⅱ. Dialogue: Emperor Song Huizong

Unit 19

Ⅰ. Text: Flower and Bird Painting in the Song Dynasty

Ⅱ. Dialogue: Emperor Song Huizong as a Great Calligrapher

Unit 20

Ⅰ. Text: Figure Painting (Ⅰ)

Ⅱ. Dialogue: Summer Cooling under the Pagoda Tre

Unit 21

Ⅰ. Text: Literati Painting (Ⅰ)

Ⅱ. Dialogue: Fan Kuan and Other Painters

Unit 22

Ⅰ. Text: Calligraphy (Ⅶ) Running Style (Xingshu) and Imitation of Ancient Models

Ⅱ. Dialogue: The Calligraphers from the Su Family

 Unit 23

Ⅰ. Text: Porcelain (Ⅰ) 

Ⅱ. Dialogue: The Five Great Kilns 

Unit 24

Ⅰ. Text: The Four Great Masters of the Yuan Dynasty 

Ⅱ. Dialogue: Zhao Mengfu and His Autumn Colours on the Qiao and Hua Mountains

Unit 25

Ⅰ. Text: Literati Painting (Ⅱ)

Ⅱ. Dialogue: Tang Yin and Wen Zhengming

Unit 26

Ⅰ. Text: Figure Painting (Ⅱ)

Ⅱ. Dialogue: Qiu Ying and Chen Hongshou

Unit 27

Ⅰ. Text: Figure Painting (Ⅲ) 

Ⅱ. Dialogue: The Four Treasures of the Study

Unit 28

Ⅰ. Text: Landscape Painting (Ⅲ)

Ⅱ. Dialogue: The Eight Eccentrics of Yangzhou

Unit 29

Ⅰ. Text: Calligraphy (Ⅷ) Modern and Contemporary

..Calligraphers

Ⅱ. Dialogue: Qi Gong

Unit 30

Ⅰ. Text: Porcelain (Ⅱ)

Ⅱ. Dialogue: Jingdezhen

Unit 31

Ⅰ. Text: Modern Painting (Ⅰ)

Ⅱ. Dialogue: Freehand Brushwork

Unit 32

Ⅰ. Text: Modern Painting (Ⅱ)

Ⅱ. Dialogue: The Fusion of Chinese and Western Art

Bibliography


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