構(gòu)成設(shè)計

第1章 構(gòu)成設(shè)計概述

1.1 構(gòu)成的基本知識 ......................................................................1

1.1.1 構(gòu)成的起源 ...........................................................................................1

1.1.2 構(gòu)成的含義與目的 ...............................................................................3

1.1.3 構(gòu)成的分類 ...........................................................................................4

1.2 構(gòu)成的思維方式 ......................................................................4

1.3 構(gòu)成的學習方法 ......................................................................8

思考與練習...................................................................................10

第2章 平面構(gòu)成

2.1 平面構(gòu)成的基本要素——點 .....................................................11

2.1.1 點的基本概念 .....................................................................................11

2.1.2 點的性質(zhì)與作用 .................................................................................12

2.1.3 點的性格表現(xiàn) .....................................................................................16

思考與練習...................................................................................17

2.2 平面構(gòu)成的基本要素——線 .....................................................18

2.2.1 線的基本概念 .....................................................................................18

2.2.2 線的性質(zhì)與作用 .................................................................................19

2.2.3 線的種類與性格特征 .........................................................................23

思考與練習...................................................................................25

2.3 平面構(gòu)成的基本要素——面 .....................................................25

2.3.1 面的基本概念 .....................................................................................26

2.3.2 面的性質(zhì)與作用 .................................................................................27

2.3.3 面的種類與性格特點 .........................................................................30

2.3.4 圖與底互換原理 .................................................................................34

思考與練習...................................................................................35

2.4 平面構(gòu)成中的形態(tài)變化 ...........................................................36

2.4.1 形態(tài)與心理感受 .................................................................................36

2.4.2 層次 .....................................................................................................37

2.4.3 空間 .....................................................................................................38

2.4.4 視角 .....................................................................................................41

2.4.5 構(gòu)圖 .....................................................................................................42

2.4.6 運動 .....................................................................................................46

2.4.7 變形 .....................................................................................................47

2.4.8 質(zhì)感 .....................................................................................................52

思考與練習...................................................................................52

2.5 平面構(gòu)成中的形式美法則 ........................................................53

2.5.1 對比與統(tǒng)一的構(gòu)成形式 .....................................................................53

2.5.2 對稱與平衡的構(gòu)成 .............................................................................57

2.5.3 節(jié)奏與韻律的構(gòu)成 .............................................................................59

2.5.4 靈性的虛與實的構(gòu)成 .........................................................................60

思考與練習...................................................................................62

2.6 肌理在平面構(gòu)成中的應(yīng)用 ........................................................62

2.6.1 肌理的含義、分類、形式及制作技法 ..............................................63

2.6.2 肌理與心理 .........................................................................................65

思考與練習...................................................................................68

第3章 色彩構(gòu)成

3.1 色彩構(gòu)成的基本理論 ..............................................................69

3.1.1 色彩的生理與物理理論 .....................................................................69

3.1.2 色彩的源泉與實踐 .............................................................................76

3.1.3 色彩的基本屬性 .................................................................................78

3.1.4 色立體 .................................................................................................81

思考與練習...................................................................................89

3.2 色彩與心理感覺 ....................................................................89

3.2.1 色彩的視知覺感受 .............................................................................90

3.2.2 色彩的情感 .........................................................................................94

3.2.3 色彩的聯(lián)想 .........................................................................................98

3.2.4 色彩的性格與象征 ...........................................................................104

3.2.5 色彩的肌理與心理感受 ...................................................................104

思考與練習.................................................................................105

3.3 色彩對比原理 .....................................................................105

3.3.1 色彩對比的概念 ...............................................................................106

3.3.2 色彩對比的構(gòu)成原理 .......................................................................106

3.3.3 色彩對比的形式 ...............................................................................107

思考與練習.................................................................................114

3.4 色彩調(diào)和原理 .....................................................................115

3.4.1 色彩調(diào)和的概念 ...............................................................................115

3.4.2 色彩調(diào)和的形式 ...............................................................................116

思考與練習.................................................................................123

第4章 立體構(gòu)成

4.1 空間立體的基本元素和形態(tài)的情感特征 ....................................125

4.1.1 立體構(gòu)成的基本元素與情感特征 ...................................................125

4.1.2 空間立體的基本形態(tài)及情感特征 ...................................................133

思考與練習.................................................................................136

4.2 空間立體的形式美法則及審美感受 ..........................................136

4.2.1 立體基本形的含義及構(gòu)成形式 .......................................................137

4.2.2 立體構(gòu)成與空間結(jié)構(gòu) .......................................................................147

4.2.3 立體構(gòu)成中的對比與統(tǒng)一原理 .......................................................152

4.2.4 立體構(gòu)成中的節(jié)奏與韻律原理 .......................................................158

4.2.5 立體構(gòu)成中的平衡與穩(wěn)定原理 .......................................................159

思考與練習.................................................................................163

4.3 立體構(gòu)成的肌理表現(xiàn) ............................................................163

4.3.1 肌理的含義、分類、功能及制作方法 ............................................165

4.3.2 立體肌理的表現(xiàn)及情感特征 ...........................................................168

思考與練習.................................................................................170

4.4 基本形體的綜合構(gòu)成 ............................................................171

4.4.1 線立體形態(tài)構(gòu)成 ...............................................................................171

4.4.2 面立體形態(tài)構(gòu)成 ...............................................................................176

4.4.3 塊立體形態(tài)構(gòu)成 ...............................................................................186

思考與練習.................................................................................188

參考文獻

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