樂海追夢：經(jīng)典音樂欣賞雙語閱讀

Chapter 1 Hi, Brief History of Music

*章 音科史話——西方音樂史上的重要階段

Music and Musical Thoughts of Ancient Greece

古希臘的音樂與音樂思想

Musical Thoughts of Ancient Greece

古希臘的音樂“神”論

Music During the Middle Ages and the Renaissance Period

中世紀(jì)與文藝復(fù)興時期的音樂交融

The Emergence of “Art Nouveau” and Mass

“新藝術(shù)”與彌撒

Medieval Secular Music

中世紀(jì)的世俗之樂

The Maturity of Music in the Renaissance

文藝復(fù)興音樂的成熟

The Foresight of Modern Music

新時代音樂的預(yù)兆

What Is Baroque Music

什么是巴洛克音樂

What Is Classical Music

什么是古典派音樂

Romantic School and Romantic Music

浪漫派與浪漫派音樂

Chapter 2 Look, Music Around the World

第二章 全球剪韻——世界音樂掠影

Source of European Art Music—Gregorian Chant

歐洲音樂藝術(shù)的源泉——格里高利圣詠

Beginning of Multi-voice Polyphony

多聲部復(fù)調(diào)音樂的開始

Opera Spread to Europe

蔓延至歐洲各地的歌劇

Baroque Music in Vienna

維也納的巴洛克音樂

Baroque Church Music of Protestants

新教徒的巴洛克教會音樂

The Competition Between Neo-classical Music and Classical Music

“新古典主義”音樂和古典主義音樂的博弈

Who Made the Holy Flame of Russian Music

是誰點燃了俄羅斯音樂圣火

Spirituals, Blues, Ragtime and Jazz

靈歌、藍(lán)調(diào)、雷格泰姆與爵士樂

Son—the Unique Style of Latin Music

頌樂——拉美音樂的獨特風(fēng)情

Chapter 3 How, Lives and Music

第三章 音源初探——那些產(chǎn)生音樂的秘密

How to Represent Music Before the Invention of Stave

五線譜發(fā)明之前是如何記譜的

How to Make Notation on a Stave

如何在五線譜上記譜

Musical Tones, Musical Alphabets and Solfège

樂音、音名與唱名

Church Modes

教會調(diào)式

Musical Intervals

音程

Triad

三和弦

Musical Scales & Modes

音階與調(diào)式

Cadence

終止式

Chapter 4 Thanks, Very Important People of Music

第四章 音樂巨匠——那些推動音樂發(fā)展的人

Musical Masters in the Renaissance

“文藝復(fù)興”中的音樂巨匠

Vivaldi and His Widely Popular Four Seasons

維瓦爾第與人氣爆棚的《四季》

Handel and his “Magic Opera”

亨德爾與他的“神劇”

Bach—the Father of Music and the “Sea”

巴赫——音樂之父和“大海”

Haydn—More Than Just the Father of Symphony

海頓——不只是交響樂之父

Mozart—the Prodigy and His Unfinished Requiem

莫扎特——少年天才與未完成的《安魂曲》

Beethoven—Slightly Sorrowful Spirit of Music

貝多芬——略帶悲情的樂圣

Chopin and His Ripples of Homesickness

肖邦與他那潺潺的鄉(xiāng)愁

Franz Liszt and His Musical “Revolution”

李斯特和他的音樂“革命”

Franz Schubert—the King of Songs Born in Nature

舒伯特——源于自然的“歌曲之王”

“Haydn” to Modern Music—Mahler and the Earth Melody

現(xiàn)代音樂的“海頓”——馬勒與《大地之歌》

Schoenberg Tags

勛伯格的標(biāo)簽

The Last Great Master of Music of Late German Romanticism

德國浪漫派晚期的*后一位音樂巨匠

Chapter 5 Share, Music and Others

第五章 音歌之舞——音樂和不同藝術(shù)的結(jié)合

Musical “Deviationist” in the Renaissance

文藝復(fù)興音樂的“異端分子”

Master of Italian Musical Renovation and His Opera

“意大利革命音樂大師”和他的歌劇

Symphony and the Real Father of Symphony

交響樂與真正的交響樂之父

Literary and Diverse Elements in Works of Beethoven

貝多芬創(chuàng)作中的文學(xué)與多樣性元素

Loving Beyond Reason—Berlioz and Symphonie Fantastique

超越理智的愛戀——柏遼茲與《幻想交響曲》

Chapter 6 Those Inevitable People and Their Anecdotes from Music—the Musical Texture

第六章 那些在音樂中不得不提的人和事——所用的音樂織體

Confusion and Controversy About Liszt and Debussy

李斯特與德彪西的困惑和爭議

The Way Wagner Subverted Traditional Opera

瓦格納如何顛覆了傳統(tǒng)歌劇

Adventure of Diaghilev—the Historical Gorgeous Turn-back of Russian Music in the 20th Century

迪亞吉列夫的冒險——20世紀(jì)俄羅斯音樂在歷史上的華麗轉(zhuǎn)身

Musical Adventure of the 20th Century—This Is by no Means the End

20世紀(jì)的音樂冒險，這里絕不是終點