紀(jì)念皮爾斯逝世100周年專(zhuān)輯 回到皮爾斯 Some Reflections on Peirce's Semiotics:On the Occasion of the 100th Anniversary of His Death 皮爾斯為何要把邏輯學(xué)拓展為符號(hào)學(xué)? Extensions of Charles S.Peirce:An Interview with Ahti-Veikko Pietarinen Ahti—Veikko Pietarinen。Dai Weiwei,Zhao Xingzhi
倫理符號(hào)學(xué)專(zhuān)輯 Semioethics:An Introduction 儀俗、政治與倫理:儒家倫理符號(hào)思想的發(fā)展及反思 Semio—ethics and Photography:Camera,Common Goods and the Natural Law
理論與應(yīng)用 Semiotics as a Social Science 從索緒爾看當(dāng)代語(yǔ)言學(xué)的發(fā)展趨勢(shì) 類(lèi)文字與漢字符號(hào)學(xué) Between Noise and Silence,Between Meaning and Non-Meaning: Ambient Music in the Contemporary Italian Soundscape “第四種符號(hào)”:雅各布森審美文化符號(hào)學(xué)理論探析 《西洋鏡》與好萊塢經(jīng)典敘事重構(gòu)
書(shū)評(píng) Narratology Version UI:A Review of Zhao Yiheng's A General Narratology 性別符號(hào)方陣與大眾化抒情:評(píng)陸正蘭《歌曲與性別:中國(guó)當(dāng)代流行音樂(lè)研究》 大眾傳媒符號(hào)化的性別與女性主義:評(píng)羅薩林·吉爾《性別與傳媒》 走向“純聲學(xué)”:評(píng)米歇爾·希翁《聲音》