Acknowledgements List of Abbreviations Introduction Chapter One Escaping the Drawing-room Party： Reconstructing Female Identity， Rewriting the Courtship Plot 1.1 “A Lady Has to Spend Her Life in the Drawing-room”： Victorian Drawing-room and the Construction of Gender Identity 1.2 Party in the Colonial “Wild” in The Voyage Out 1.3 Drawing-room Resistance in Night and Day
Chapter Two“The Party […] Begins in the Kitchen”： Domestic Servants and Modernist Narratives 2.1 Kitchen and the Construction of Class Identity in the Victorian House 2.2 In Between the Kitchen and the Drawing Room： The “Georgian Cook” and Woolf's Literary Modernism 2.3 Clarissa's Party： TheKitchen Perspective in Mrs. DaHoway 2.4 The Servant's Hand behind Mrs. Ramsay's Dinner： Aestheticizing the Moment of Interruption in To the Lighthouse
Chapter Three Parties in Liminal Houses： Outsiders and the De-familiarization of the Family Saga 3.1 “An Englishman's Home Is His Castle”： Victorian Home and Nation Revisited 3.2 “An Abominable System”： Woolf's Critique of the Victorian Ideology of Home and Nation in The Years 3.3 “We Dine in the Basement”： Remol~ng the English Home， Reworking with “Externality” in The Years Conclusion Notes Bibliography
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