卷首語《建筑·藝術(shù)》寄語PreludeArchitecture·Art Preface空間·表現(xiàn)手繪世博——上海世博會建筑景觀速寫(彭軍)Space·PerformanceSketch of Expo——The Architecture&Landscape Sketch of ExpoShanghai(Peng Jun)理論·視點(diǎn)設(shè)計(jì)是一種修行——一個建筑師眼中的米蘭設(shè)計(jì)周(王海松)Theory·ViewDesign Is a Practice——The View of an Architectabout Milan Design Week(Wang Haisong)教育·研究建筑技術(shù)的蛻變——從結(jié)構(gòu)造型到建造基礎(chǔ)教學(xué)八年回顧(王環(huán)宇)結(jié)合鄉(xiāng)土材料的構(gòu)筑訓(xùn)練課程(王平妤)“邊緣”訓(xùn)練(何為、何浩)創(chuàng)新與實(shí)踐——藝術(shù)設(shè)計(jì)研究生教學(xué)新模式的探析(彭軍)Education·ResearchThe Evolution of Building Technology——Review the Eight Years ofTeaching from Structural Modeling to the Basis of construction(WangHuanyu)Training Courses of Constructed with Local Materials(Wang Pingyu)“EDGE”Training(He Wei,He Hao)Innovation&Practice——The Explore of a New Teaching Mode ofArt Design Postgraduate Students(Peng Jun)創(chuàng)作·實(shí)驗(yàn)“呼嘯的隧道”——重慶三線建設(shè)博物館方案設(shè)計(jì)(黃耘)哈爾濱時代廣場設(shè)計(jì)(蘇丹、于立晗)Creation·ExperimentThe Roaring Tunnel——The Design of Chongqing Sanxian Developing Museum(Huang Yun)The Design ofTimes Square in Harbin(Su Dan,Yu Lihan)場所·地域性茶馬古道上的沙溪白族聚落(賓慧中)融合·兼容·創(chuàng)新——淺論海派建筑中的文化特征(李鋼、邢亦舒)Place·LocalityShaxi Bai Nationality Settlements along the Ancient Tea HorseRoad(Bin Huizhong)Fusion·Compatible·Innovation——On the Cultural Characteristics ofSophisticated Architectural(Li Gang,Xing Yishu)技術(shù)·綠色建筑生態(tài)觀的歷史脈絡(luò)(奠弘之)建筑表皮的魔力秀——視覺藝術(shù)與綠色技術(shù)的當(dāng)代演繹(吳愛民、耿躍、何俊超)Technology·GreenThe Historical Origin of Eco—Design Concepts(Mo Hongzhi)The Magic Show of Architectural Surface——Contemporary Interpretation of Visual Arts and GreenTechnology(Wu Aimin,Geng Yue,He Junchao)城市·文化未來城市——未來生存與生活方式的探索之旅(呂品晶、范凌、維尼·麥斯、提哈梅爾·薩利基)City·CultureThe Next City——Excursions on Future Living and Lifestyles(Lv Pinjing,F(xiàn)an Ling,Winy Maas,Tihamer Saliji)跨界·交流設(shè)計(jì)師必去威尼斯的理由——走讀“201 0威尼斯建筑雙年展” (蘇丹)關(guān)于“山水”的對話——雕塑家張克端作品解讀(陳紀(jì)新、張克端)Cross.Border·AcrossThe Attention to Venice——Interpretatjon of 2010 Venice Biennale ofArchitecture”(Su Dan)The Dialogue about“Shanshui”——The Interpretation ofthe Sculptor Zhanq Keduan’S Work(Chen Jixin,Zhang Keduan)展覽·活動批判、閱讀、釋放——2010年四校聯(lián)合設(shè)計(jì)營回顧(謝建軍、鞠黎舟)“正襟危坐”主題設(shè)計(jì)展(黃偉)繼往開來——全國高等美術(shù)院校建筑與環(huán)境藝術(shù)設(shè)計(jì)專業(yè)教學(xué)年會發(fā)展歷程(傅神、唐旭) Exhibition·EventsCriticism,Reading,Releasing——The Review of”Post Expo”Workshop from 4 Academy of Fine Arts(Xie Jianjun,Ju Lizhou)”Sat”Theme Design Exhibition(Huang Wei)Creating&Developping——Review of the Annual Meetting of NationalAcademies of Art Design onArchitecture and Environmental Design(Fu Yi,Tang Xu)快訊·書評Information·Book Reviews