China is a country with multiple theatrical activities spread over its largearea. Chinese traditional opera， an integration of singing and performance， is the most common， unique and representative form of Chinese theater. Over more than 800 years， it has maintained its basic form .In the beginning of the 20th century， subject to the impact of the West， the modern drama without singing appeared in China. The development and prosperity of modern drama has added a new landscape for Chinese the ater， which， as a whole， has become more diversified.
作者簡介
Fu Jin Born in Quzhou， Zhejiang Province in1956. Doctor of Literature， professor of the National Academy of Chinese Theater Arts，pluralistic researcher of Institute of Chinese Intangible Cultural Heritage， Sun Yatsen University， advisor for Ph.D. candidate of China Art Academy. His academic works include The Modernization and Localization of Chinese Theater， Introduction to Chinese Theater in the 20th Century， History of Chinese The ater，Treatise on Art of Chinese Theater， etc.
圖書目錄
Foreword Prelude: the Origins of Chinese Theater Sacrifice and Entertainer The Spectacular Scene of Music and Dance Xinong and the Art of Singing with Speaking Peaks Towering Magnificently: Song Xiwen and Yuan Zaju Southern Xiwen during the Song Dynasty The Prosperity ofYuan Zaju Guan Hanqing's Remarkable Achievement Refinement and Elegance: Chuanqi of the MinR and Qing Dynasties and the Times of Kunqu Opera Scholars' Renovate of Xiwen Kunqu Opera and Exquisite Peony Pavilion Palace of Eternity and Peach Blossom Fan Li Yu and Kunqu Opera Stage Performances Flowers in Bloom: Diversified Opera Varieties Spread of Yiyang Tune and Clapper Opera Competition between Huabu and Yabu From Playlet to Big Opera Modern Play and Stage Play With Ups and Downs: Extending Its Global Presence New Stage Mei Lanfang——Going to the World Improvement to the Traditional Opera and \Model Opera\ Forward-looking Chinese Theater Appendix: Chronological Table of the Chinese Dynasties
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