《中國當(dāng)代電影中的紀(jì)實(shí)現(xiàn)實(shí)主義》內(nèi)容簡介:I declare that this dissertation;is the result of my own work and includes nothing which isthe outcome of work done in collaboration; is not substantially the same as any that I have submitted for adegree or diploma or other qualification at any other university; and thatno part of it has already been or in being concurrently submitted for anysuch degree, diploma or other qualification; does not exceed the prescribed limit of 80,000 words.I have used hanyu pinyin for all Chinese names and phrasesthroughout the dissertation, except for names of characters as theyappear in the film's English subtitles. The hanyu pinyin and the original Chinese characters are listed in the "Glossary of Chinese Terms" forcross -reference.All translations of quoted Chinese texts are mine unless otherwisestated.
作者簡介
暫缺《中國當(dāng)代電影中的紀(jì)實(shí)主義》作者簡介
圖書目錄
Contents Preface Acknowledgements Dissertation Summary Chapter One Introduction 1. New Chinese Film: The Inadequacy of Labels in Describing the New Film Practices in China 2. Mapping Contemporary Chinese Film 3. Discursive Parameters Chapter Two Identifying Docurealism in Terms of History, Philosophy and Aesthetics 1. Historically: Inside and Outside China 2. Philosophically: The Redemption of Physical Reality 3. Aesthetic Principles111 Chapter Three Zhang Yuan: A Breakthrough in Presenting Reality — Escape from the Encirclement of Melorealism 1. Zhang Yuan and New Approaches to Reality 2. Sons·Cinema-verite·Cinemadirect 3. Seventeen Years and the New Documentary Movement Chapter Four Jia Zhangke: Distinguishing Nostalgia from the Fifth Generation's Exoticism 1. Xiaowu: The Common Man's Consciousness and the Popular Perspective 2. Platform: Loose Narration and Dedramatization 3. Unknown Pleasure: Redemption of Real Life Through Sound Chapter Five Wang Xiaoshuai, Wang Chao, Lu Xuechang, Zhang Ming: Constructing Docurealist Aesthetics in Film Construction 1. Shot·Deep Focus·Mise-en-scène 2. Colour· Light· Physical Reality 3. Editing·Montage·Longtake Conclusion Appendix Main Docurealist Film Directors and Their Works Bibliography Glossary