This work argues that Kevin Hart's poetry has a close relationship with western traditions and there are dual realities in Kevin Hart's poetic space， and this space includes the elements of classicism， romanticism，modernisms（cubism，surrealism），dual tradition of theology （positive the-ology and negative theology）， and French post-phenomenological thinking. The dual realities are testified to by some binary pairs in Hart's poetry： the concrete， conscious， definite， familiar， natural， phenomenal， physical，and positive standing side by side with the abstract， higher， ideal， in-definite， intellectual， metaphysical， negative， philosophical， surreal， transcendental， and unconscious. The latter are achieved from the former through a process of transcending or going beyond， and the mediums be tween the two poles of binary pairs are death， denial， denudation， deprivation， dying， idealisation， negation， rejection， transgression， transcendence，and transformation.
作者簡介
暫缺《哈特詩歌和西方文化傳統(tǒng)》作者簡介
圖書目錄
Part I Introduc tion Section I Introduction Section II Ha rt’S Backg round and Achievements Section III Literatu re Review．1978—2003 Section IV Methodology Part II From Classicism to Romanticism Section I Classical Elements in Hart’S Poems Section II Hart’S Romantic Internalized Quest Part III Modernisms in Hart's Poems Section I Elements 0f Cubism Section II Elements 0f Su rrealism Part IV Hart's Faith and the Dual Tradition of Theology Section I Positive Theology Section II Negative Theology Part V Relingion without Religion Section I Questing fOr“Continuity of Being”through Desi re and Death Section II Seeking for“Exteriority”th rough Transcendence Section III Religion without Religion Part VI Cone husion Attac hments: 1.Bibliography 2.15poms by Hart in transiation
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