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設(shè)計(jì)專業(yè)英語(yǔ):西方藝術(shù)設(shè)計(jì)經(jīng)典文選

設(shè)計(jì)專業(yè)英語(yǔ):西方藝術(shù)設(shè)計(jì)經(jīng)典文選

定 價(jià):¥28.00

作 者: 邵宏 編,尹定邦,柳冠中 總主編
出版社: 高等教育出版社
叢編項(xiàng):
標(biāo) 簽: 各工種英語(yǔ)

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ISBN: 9787040224016 出版時(shí)間: 2007-09-01 包裝: 平裝
開(kāi)本: 16 頁(yè)數(shù): 187 字?jǐn)?shù):  

內(nèi)容簡(jiǎn)介

  本教材的編寫(xiě)是以西方藝術(shù)與設(shè)計(jì)理論史各時(shí)期具有代表性的理論文章作為閱讀文本,并為每篇課文補(bǔ)寫(xiě)漢語(yǔ)導(dǎo)讀和注解。從第九篇選文開(kāi)始逐步增寫(xiě)英文注解,以使本教材適應(yīng)于專業(yè)理論課程的雙語(yǔ)教學(xué)。每篇選文后面的“閱讀本文的參考讀物”,一方面是向讀者提供編者寫(xiě)作注解時(shí)所采用的參考書(shū)目,另一方面是向讀者提出對(duì)“西方設(shè)計(jì)理論史”課程所需書(shū)目控制的基本要求。為了讓讀者熟悉西方學(xué)者的研究方式,全部的選文均保留原作者、譯者或編者的英文注釋,插圖編號(hào)及說(shuō)明也按照原著面貌保留。書(shū)后附有中英文索引,方便讀者查找專業(yè)術(shù)語(yǔ)和相關(guān)人物。本教材在課程設(shè)置的銜接上,要求讀者應(yīng)當(dāng)修完“西方藝術(shù)史”(包括建筑史和設(shè)計(jì)史)、“藝術(shù)概論”和“設(shè)計(jì)美學(xué)”等專業(yè)理論課程,英語(yǔ)水平要求相當(dāng)于“大學(xué)英語(yǔ)”四級(jí)程度。既可用于設(shè)計(jì)專業(yè)英語(yǔ)精讀課程,也可用作專業(yè)英語(yǔ)泛讀材料還可用于“設(shè)計(jì)理論”或者“西方設(shè)計(jì)經(jīng)典文獻(xiàn)導(dǎo)讀”課程的雙語(yǔ)教學(xué)。

作者簡(jiǎn)介

  邵宏,廣州美術(shù)學(xué)院藝術(shù)史教授,暨南大學(xué)文藝學(xué)博士,中國(guó)美術(shù)學(xué)院美術(shù)學(xué)博士,廣東美學(xué)學(xué)會(huì)副會(huì)長(zhǎng),曾入武漢理工大學(xué)管理學(xué)博士后流動(dòng)站作設(shè)計(jì)管理學(xué)研究。已出版的專著有《藝術(shù)史的意義》、《美術(shù)史的觀念》、《衍義的氣韻:中國(guó)畫(huà)論的觀念史研究》;譯著有《美術(shù)術(shù)語(yǔ)與技法詞典》(臺(tái)譯)、《西方美術(shù)理論文選》(合譯)、《文藝復(fù)興的思想與藝術(shù)》。

圖書(shū)目錄

UNIT 1 MARCUS VITRUVIUS POLLIO
“The Origins of the Three Orders,and the Proportions of the Corinthian Capital” (c.27 BC),from The Ten Books on Architecture.
UNIT 2 CENNINo D’ANDREA CENNlNl
“Methods of Casting”(c.1400),from The Craftsman’s Handbook.
UNIT 3 GIORGIO VASARI
“Preface to the Third Part'’(1550),from The Lives of the Most Excellent Painters, Sculptors,and Architects.
UNIT 4 WILLIAM HOGARTH
“Preface”(1753),from The Analysis of Beauty.
UNIT 5 A.WELBY PUGlN
“On Metal-work”(1841),from The True Principles of Pointed or Christian Architecture.
UNIT 6 GoTTFRIED SEMPER
“Science,Art,and Industry”(1852),from Gottfried Semper The Four Elements of Architecture and Other Writings.
UNIT 7 OWEN JONES
“General Principles in the Arrangement of Form and Colour in Architecture and the Decorative Arts”(1856),from The Gram-mar of Ornament.
UNIT 8 JOHN RUSKIN
“Modem Manufacture and Design”(1859), from The Two Paths:Being Lectums on Art, and Its Application to Decoration and Manufacture.
UNIT 9 WILLIAM MORRIS
“The Lesser Arts”(1877),from William Morris:Selected Writings and Designs.
UNIT 10 ALOIS RIEGL
“The Geometric Style”(1893),from Prob-lems of Style:Foundationsfor a History of Ornament.
UNIT 11 ADOLF Loos
“Ornament and Crime”(1908),from Pro-grams and Manifestoes on 20th-Century Architecture.
UNIT 12 WALTER GROPIUS
“The Theory and Organization of the Bau-haus”(1923),from Idee und Aufbau des Staatlichen Bauhauses Weimar.
UNIT 13 LE CORBUSIER
“Type-Needs:Type-Furniture”(1925).from The DecorativeArt of Today.
UNIT 14 HENRI FOCILLON
“Forms in the Realm of Space”(1934),from The Life of Forms in Art.
UNIT 15 SIBYL MOHOLY-NAGY
“Introduction”(1953),from Paul Klee’s Pedagogical Sketchbook.
UNIT 16 NIKOLAUS PEVSNER
“Art and Industry”(1968),from The Sources of Modern Architecture and Design.
UNIT 17 E.H.GOMBRICH
“Motifs and Meanings”(1979),from The Sense of Order:A Study in the Psychology of Decorative Art.
UNIT 18 ADRIAN FORTY
“Design,Designers and the Literature of Design”(1986),from Objects of Desire:Design and Society since 1750.
INDEX

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