中國(guó)傳播論壇：中國(guó)電視劇傳播（2002）

目 錄 Table of Contents 開幕辭/蘇志武 1
Opening Speech/Su Zhiwu 在偉大的時(shí)代加強(qiáng)中國(guó)電視劇理論研究/仲呈祥 4
Strengthening the Study of the Chinese TV Play in the Great Age/Zhong Chengxiang 立足中國(guó)，面向世界，把中國(guó)電視業(yè)做大做強(qiáng)/楊偉光 7
Enlarging the Chinese Television Industry/Yang Weiguang 先進(jìn)文化與電視劇藝術(shù)/梁光弟 12
Advanced Culture and the Arts of TV Play/Liang Guangdi 電視劇要為發(fā)展先進(jìn)文化做貢獻(xiàn)/唐正柱 18
TV Plays Contribution to the Advanced Culture/Tang Zhengzhu 關(guān)于電視劇發(fā)展的四點(diǎn)想法/李興葉 22
Four Points on TV Plays Development/Li Xingye 主旋律電視劇審美化芻議/王偉國(guó) 25
On the Aesthetics of the Central Themed TV Play/Wang Weiguo 主旋律電視劇與先進(jìn)文化的建設(shè)/劉曄原 32
 Central Themed TV Play and the Advanced Culture/Liu Yeyuan 民族精神——中國(guó)電視劇之魂/王 敏 35 National Spirit: the Soul of the the Chinese TV Play/Wang Min 扎根于民族文化沃土，向生活汲取營(yíng)養(yǎng) ——電視劇創(chuàng)作談/鄔二田 38
Stemming from the National Culture and Life: about the TV Play Production/Wu Ertian 電視藝術(shù)也要打“民族牌"/朱輝軍 41
On the National Brand of TV Arts/Zhu Huijun 略論中國(guó)電視劇文化生態(tài)的再整合/黃式憲 46
Re-integration of the Chinese TV Plays Cultural Ecology/Huang Shixian 論電視文化批評(píng)/曲春景 55 On the TV Cultural Criticism/Qu Chunjing 對(duì)電視劇的本性再認(rèn)識(shí)/張仲年 62
Re-understanding of the Nature of TV Play/Zhang Zhongnian 關(guān)于提升國(guó)產(chǎn)電視劇的美譽(yù)度的思考/康 爾 76 Promoting the Prestige of the Mainland TV Play/Kang Er 電視劇的家庭化觀賞特征與其文化藝術(shù)選擇——大眾文化時(shí)代中國(guó)電視劇的文化價(jià)值取向略論/郝一民 81
TV Plays Traits of Family Appreciation and its Aesthetic Choice/Hao Yimin “古裝戲”里的“戲"/張德祥 87 The Play in the Ancient-Costumed TV Play/Zhang Dexiang 論電視劇中的日常生活/馬相武 92
The Presentation of Daily Life in TV Play/Ma Xiangwu 灼照心靈的畸變與救贖 ——論當(dāng)代長(zhǎng)篇電視劇對(duì)心理問題的關(guān)注/周安華 穆 昕 98
Distortion and Rescue: the Serials Attention on Psychology/Zhou Anhua,Mu Xin近年來電視劇創(chuàng)作的特點(diǎn)及有關(guān)思考/唐 海 104
Analysis and Thoughts on the TV Play Production in the Recent Years/Tang Hai論西部電視劇的命名、書寫與傳播生態(tài)及其思考/侯 洪 孫 莉 譚俐莎 108
The Denomination, Narration and Communication Ecology of the Western Areas TV Play/Hou Hong, Sun Li, Tan Lisha 論國(guó)產(chǎn)電視劇的民族敘事策略/韓 莓 121
The National Narrating Strategy of the Mainland TV Play/Han Mei 歷史題材電視劇的文化價(jià)值取向/吳素玲 126
Historical TV Plays Orientation of Value/Wu Suling 從電視劇的播出探求與受眾群體的關(guān)系/劉大敏 132 Relationship Between TV Play and the Audience from the Viewpoint of the Transmission/Liu Damin 電視劇傳播與頻道專業(yè)化/閆忠軍 139
TV Play Communication and the Specialization of Channels/Yan Zhongjun 引進(jìn)為了創(chuàng)造 ——中央電視臺(tái)國(guó)際部譯制影視劇實(shí)踐探微/張子揚(yáng) 144
Import for Creation: about the CCTVs Practice of the Translated TV Play/Zhang Ziyang 淺談主旋律電視劇的創(chuàng)作/解 芳 150
On the Production of the Central Themed TV Play/Xie Fang 中國(guó)電視劇要有全球意識(shí)/彭 俐 154
The Sense of Globalization of the Chinese TV Play/Peng Li 全球化形勢(shì)下中國(guó)歷史劇的定位和走向/劉麗文 161
The Position and Trends of the Chinese TV Play in the Background of Globalization/Liu Liwen 入世背景下中國(guó)電視劇藝術(shù)現(xiàn)實(shí)與發(fā)展問題思考/周 星 167
The Chinese TV Plays Artistic Reality and Development in the Context of WTO/Zhou Xing 略論電視劇繁榮的市場(chǎng)環(huán)境/陸 地 175
On the Market Environment of TV Play/Lu Di 電視劇的生命與藝術(shù)內(nèi)涵/黃會(huì)林 179
TV Plays Vitality and Artistic Connotation/Huang Huilin 以女性視角尋找和闡釋歷史—女性主義對(duì)李少紅歷史題材電視劇創(chuàng)作的影響/段風(fēng)華 183
Searching and Interpreting History from Womans Angle: about Li Shaohongs Historical TV Play/Duan Fenghua 芻論中國(guó)電視劇節(jié)目供應(yīng)市場(chǎng)研究的理論建模/劉 軍 194
A Theoretical Model of the Chinese TV Plays Supplying Market/Liu Jun 尋找失落的鏡頭感 ——論電視劇視聽語言的失落與回歸/吳三軍 202
Lost and Regaining of TV Plays Visual and Audio Language/Wu Sanjun 略論電視劇收視率與藝術(shù)審美價(jià)值的關(guān)系/陳友軍 210
The Relationship Between Audience Rate and Aesthetic Value of TV Play/Chen Youjun中國(guó)電視劇的市場(chǎng)運(yùn)作及產(chǎn)業(yè)化趨勢(shì)/張 婷 218
The Chinese TV Plays Trends of Market Managing and Industrialization/Zhang Ting邂逅的可能與欲望的謊言 ——對(duì)《致命邂逅》的一種解讀/劉 宏 223
Possibility of Encounter and Lie of Desire： Reading of Deadly Encounter/Liu Hong 對(duì)話與互動(dòng) ——90年代以來中國(guó)電視劇主導(dǎo)文化結(jié)構(gòu)分析/王黑特 232
Dialogue and Interaction: an Analysis of 1990s Chinese TV Plays Dominant Cultural Structure/Wang Heite 電視劇的心理療慰功能/唐建軍 241
TV Plays Function of the Psychological Conciliation/Tang Jianjun 另一種廣告媒介 ——重新思考電視劇的傳播行為與社會(huì)角色/吳秋雅 253
Another Ads Media: Rethinking the TV Plays Transmission and Social Role/Wu Qiuya陸天明反腐劇作的通俗敘事解析/李 春 258
Analyzing the Popularity and Narration Of Lu Tianmings Anti-corruption TV Play/Li Chun覺醒與共謀 ——談電視劇《橘子紅了》中的女性形象/孫 萌 269
Awakening and Conspiracy: the Female Characters in Red Oranges/Sun Meng 從《大明宮詞》到《橘子紅了》看女性主義觀念的體現(xiàn)/江逐浪 275
Presentation of Feminism: from DaMing Palace to Red Oranges/Jiang Zhulang 中國(guó)電視劇創(chuàng)作微觀研究方法論/張應(yīng)輝 283
On Microcosmic Research Methodology of the Chinese TV Play Production/Zhang Yinghui 情景喜劇的審美特征/韓駿偉 288
Aesthetic Traits of Sitcom/Han Junwei 傳播先進(jìn)文化 聚焦民族精神——當(dāng)前電視劇創(chuàng)作中需要深化和普及的十個(gè)問題/肖驚鴻 294
Ten Issues that should be Enhanced in the TV Play Production/Xiao Jinghong藝術(shù)默契、審美定勢(shì)與超越 ——兼談近期電視劇的創(chuàng)作得失/戴 清 304
Artistic Tacit Agreement and Surpassing the Aesthetic Stereotypical Ideas/Dai Qing淡而有味 寄托溫情 尋求共鳴——從都市青年人心理走向談港產(chǎn)及日韓電視劇創(chuàng)作的特點(diǎn)/方 媛 311
The Traits of the TV Play Production in Hong Kong, Japan and Korea: An Urban Youthful Perspective/Fang Yuan閉幕辭/曾慶瑞 316
Closing Address/Zeng Qingrui